Oppenheimer is framed through a series of legal proceedings (regarding his security clearance) and flashbacks. Filmed in both colour and black and white, the movie is in colour for Oppenheimer's perspective and in black and white for the perspective of Lewis Strauss (Robert Downey Junior) a former colleague. Strauss was the orchestrater of these legal proceedings concerning Oppenheimers security clearance because he wanted to politically ruin him and limit his influence on nuclear policy because Oppenheimer had previously publically humiliated him and he also believed that Oppenheimer had criticized him in a conversation with Albert Einstein.
Nolan made this movie an explosion for the senses through sound and vision. There were many times in which the audience would jump as if watching a jump scare in a horror movie as Nolan used sound to convey moments of tension, beautifully coupled with an amazing score by Ludwig Goransson, conveying the horrors of war. There were abstract moments placed throughtout the movie of explosions which made you feel you were travelling into the heart of the atom itself which I felt were symbolic of the bombs going off in Oppenheimers life through his womanising, his thoughtless mistakes that he made in moments of pride and the apocolyptic visions that tormented him.
Normally Oppenheimer would not be 'my kind of movie' but I really enjoyed it and I certainly did not feel I had been sitting watching it for three plus hours because it held your attention throughout and the time just flew by. This is definitely a movie you have to see at least once.
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